JORDAN ROS
Interdisciplinary Artist
film - Movement - sound - Visual experimentation
Ballet Moon
Writer - Director - Animator - Composer
This film began with a single image that stayed with me: a ballerina moving freely on the moon, untethered from gravity and from the expectations that normally shape her art. My work is driven by a pursuit of autonomy, evocative imagery, and continual growth, and animation allowed me to explore the synergy between movement, music, and emotion in a limitless space.
Little Black Submarines
Co-writer - Director - Editor - Producer - VFX - Actor
This is, and remains, the largest film I’ve ever undertaken. For 18 months, it was a true labor of love, involving my biggest cast and crew to date, the most locations I’ve ever worked with, and more set pieces than any of my previous projects. The production was intense and chaotic, and it would not have been possible without the dedication and talent of an incredible team.
Happy Halloween
Writer-Director-Editor-Composer-Camera Op-Producer-Animator
Happy Halloween is a love letter to the spirit of October. A playful, unpredictable month where possibilities are endless. The project aims to evoke the feelings we have on Halloween night: the thrill of roaming the night with friends, the sense that anything could happen, the magic hiding behind every corner. It’s a tribute to the chaos, camaraderie, and wonder that make Halloween unforgettable.
Dance Portraits
Cinematographer - Editor
I am drawn to the human body in motion—its rhythm, vulnerability, and the stories it tells without words. Dance is where I find my most vivid inspiration. In film, I explore how movement becomes image, how choreography becomes emotion, and how cinema can extend the body beyond the limits of the stage.
Artistic statement
I work where mediums overlap.
films as dance. sound as motion. images as rhythm.
work driven by feeling before format.
The Bell Rings
This soundtrack was composed for the film of the same name by Ethan Hansen. The film unfolds like a modern myth. It is simple and timeless. I aimed to mirror that sensibility in the music. The score is restrained and mysterious, drawing on a sense of a “historical-adjacent” America. The sounds are familiar, half-remembered, and slightly out of time, like a fairytale passed down through generations.
coalescence
This music was composed for the film of the same name by Zach Hendrix. The sound palette draws from themes of cosmic dread and existential unease, evoking the sensation that something ominous is approaching. Something felt deeply, but impossible to fully articulate.
Florence Oregon
This project exists outside of film, giving form to the musical side of my practice. Through it, I express ideas, emotions, and lived experience using sound as the primary language.
Contact me
My work is shaped through collaboration and dialogue with other artists. If you’re interested in working together or starting a conversation, I’d love to connect.
